
The beginning
"I'm frightened, I can't defend
myself any longer. Night and day, they're torturing me with
apocalyptic visions. They say they are some kind of grave
diggers, swindlers, musicians, opium and laudanum consumers,
fervent believers, occultism and ritual magic practicers.
They are called CircuZ KumP and they are headed by a bloodthirsty
and irriverent creature, a certain Madame Bistouri. A century
ago, they have staged an indecent show inspired by some
Baudelaire's verses and they have performed it just one
time at the cabaret L'Enfer in Montmartre. Then they have
vanished, or maybe nobody wanted to talk about them anymore.
They diabolically enter my dreams to force me to get in
touch with some Italian artists. They want we gather for
some séances in order to bring back to life what
happened that cursed evening. I am on the verge of a nervous
breakdown, I can't resist anylonger, I have no choice, tomorrow
I'll contact these musicians, Ataraxia, I don't know who
they are but I absolutely must stop this torment."
Toulon, November 23rd 2005,
from the daily journal of the medium Joséphine Corelli,
better known as Mme Ratatouille
|
Mme
Ratatouille at the Trudaine Brewery,
Toulon.
|
"Ataraxia are going mad, yesterday
they told me they were leaving for Toulon. A sudden decision.
They explained me that they had to meet a woman, a sensitive
who asked them to take part in some séances where
a few criminals, who were used to perform in the most ill-famed
cabarets of Montmartre, at the beginning of last century,
will materialize. They want Ataraxia in order to live again,
a century later, a well-known bloody evening at 'L'Enfer',
an evening which was passed over in silence since the very
day after. Those ridicoulous cabarets artists, those buffoons
want Vittorio and the whole band to take part, play and
record that sort of musical séances. They have expressly
affirmed that they want to perform the first concert of
the alive and the dead. I can't calm down, I'm worried about
my friends, I hope I can reach them before it's too late."
Honfleur, November 25th 2005
reported by C.T., Ataraxia's collaborator and friend
"They have come back yesterday
after having spent forty five days at Mme Ratatouille's
in Toulon. For goodness' sake, I don't know what has happened
during this lapse of time, they don't want to speak of this
with anybody. They have come back with several minutes of
recorded stuff but I'll never say, even if menaced, which
was the content of those tracks. Anyway, even if I did I
wouldn't be able to describe the disgust I felt while listening
to those evil litanies, revolting death-rattles, insane
howls and agonizing cries. Giovanni and the whole band have
saved the first half of those recordings, when music was
still played in a natural and tolerable way, and they have
destroyed all the rest. They keep saying no but I know they
have made a promise. I don't know if they were forced or,
overwhelmed by a morbid excitation, they agreed with enthousiasm
in bringing back to life "Paris Spleen" (or at
least a part of that show) and narrating the history of
those damned, impenitent adventurers known as CircuZ KumP.
May Ataraxia find their peace of mind again and those sneaky
CircuZ KumP be damned!".
Ventoso, December 20th 2005
taken from a piece of writing of U.B., Ataraxia's friend
and photographer
Those bloody
damned...
"My name is Safran, Safran UdU
and I'm born in Alexandria of Egypt. My dynasty follows
the Isis and Osiris cults since centuries. I've read a lot
of books, forbidden books that everybody believes to be
lost. I've travelled along the Orient old ways, as far as
India where many persons are sure I died blinded by dreadful
visions. Now I live in Paris, I devote myself to esoteric
practices and, more concretely, I earn my living creating
and setting in motion a good deal of optical stage trickeries
in the Vault of the Dead of the Cabaret of Nothingness.
There, I met the Grim-Reaper who, more than once, helped
me with my optical experiments in front of an astonished
audience. One of those evening she asked me to take part
to her project, 'Paris Spleen', and, obviously, I accepted.
"
words of Safran UdU,
skilled musician, occultist and master of optical stage
trickery
|
The
Vault of the Dead
Cabaret of Nothingness - Montmartre
|
|
Safran
UdU
battling with his optical effects
Cabaret of Nothingness - Montmartre
|
|
Some
theatrical plays
the Grim-Reaper has taken
part in
|
"My name is Gabor Szentendrei,
I'm born in Budapest and I'm the only son of the owner and
puppeteer of the well-known Szebedei Circus. I detested
his lashes, he was used to tell me that he had to tame me
like a wild beast to make me become, in my turn, a good
tamer. One night, I smoked opium, took laudanum, morphine
and gulped down several glasses of absinthe and I fell into
oblivion. I found myself in Paris to work in the Intoxication
Room of the Cabaret of Nothingness. I was good at mixing
potions, I enjoyed observing and analyzing all those poor
wretched, addicted to any kind of substances. One evening
I met her, she had glassy eyes, she was befuddled by haschisch,
her name was Fosca Scarlatti. She seized me by the arm without
looking at me and she told me : 'I had to go to the circus
that day but someone found the owner torn into pieces by
a wild beast, there were pieces of bones and muscles everywhere.
His son had vanished. Do you think you are worthy of taking
part to my project?'. I followed her, speechless.
referred by Gabor Szebedei
Szentendrei, skilled mixer of hallucinogenic substances,
tiger tamer and visionary musician
|
Gabor
Szentendrei (to the right)
serves the absinth in the Intoxication Room of
the Cabaret of Nothingness
|
|
Fosca
Scarlatti racked by alcohol
|
"My name is J. Amphora and I'm
born in Edimburgh. My father was a gambler and so my grandfather
and all the men's lineage of my family from several generations.
I had to leave my town after a regrettable game accident,
so I decided to get ahead with my career at the Tavern of
Crooks in Montmartre. I emptied many customers' pockets
till the owner, a certain Monsieur T., discovered me and
kindly asked me to work for him if I didn't want to spend
the coming years in a dark and damp cell of the prison in
Bd. de Clichy. So, from that very day on we started sharing
my earnings but, at least, I didn't have to worry about
changing job. One night I met a very elegant lady, Mme Cécile
Dubois. As her name foretold, she was a great lover of bel
canto and we spent more than one evening playing and singing
delightful Italian opera airs. Then she vanished for several
months. When Cécile got back, I promised her that
if she had sung for me once more I would have done everything
for her. She took me at my word, she sang and I followed
her to keep my promise. When I discovered that she was nothing
but the notorious Madame Bistouri, it was too late...
tale of Jay Amphora,
famous gambler, swindler, good musician, adventurer and
expert of prestige games
|
Mr.
T,
the owner of
the Tavern of Crooks
|
|
Jay
Amphora
the sixth person from the left
with the white shirt in front of
the Tavern of Crooks
|
|
The
Tavern of Crooks
(inside)
|
|
Cécile
Dubois
in the Cabaret of Crooks
(daguerréotype)
|
"I am born in Arles and my name
is Lunette, Lunette Namair to be exact. This nickname has
been stuck on me as soon as I reached Paris and, to earn
my living, I started working as a dishwasher at Père
Lunette's. In that ill-famed cabaret, each night a man was
killed and never, not even one time, we had the chance to
see a bobby. One evening, between love and death I chose
love, the love of an innocent maiden, a certain Bianca Pergolesi,
daughter of the wine-merchant who was used to supply the
tavern. That night Monsieur Pergolesi was sick and, in his
place, he sent the girl. To safeguard her virtue from a
gang of good for nothing, I was forced to kill and run away.
Alas, I would have followed Bianca up to the hell and so
I did. Curse me! I sell my soul to a woman who was nothing
but Madame Bistouri..."
confession of Lunette Namair,
young poet, aspirant myopic illusionist and budding musician
|
Lunette
Namair
(the man in white to the left)
in front of the Cabaret of Crooks
|
|
Lunette
(to the left)
in Arles at the age of eight
|
|
Bianca
Pergolesi near the
rose garden of La Bagatelle
(photo taken by L. Namair)
|
"I am called Sibelius and I am
born in Saint Petersburgh. After my studies I moved to Moscow
and I became the trusty counsellor of the Tzar. I have always
been an ardent son of the Orthodox Church and I protested
in vain when the Tzarina stroke up a dubious friendship
with an ambiguous individual called Rasputin. The Tzar didn't
heed my advices, he didn't want to believe me so, by night,
I had to quit my country, the Holy Mother Russia, like a
bandit, leaving all my memories and properties. When I got
Paris I was forced to steal in order to feed myself and
I ended up in jail. Those endless months of reclusion enlightened
my soul and I decided to purify me transforming one of those
awful cabarets, that were spreading in town as a purulent
plague, in a place of prayer and redemption. My cabaret
would have looked like a cathedral and its name would have
been 'Le Ciel', the heavens. With our nocturnal liturgies
we would have fought the evil deeds that were committed
in the cabaret beside us, 'L'Enfer', the hell, owned by
a blameful ex-religious who, among other things, was used
to sell his wines at a very high price. Every evening, a
pious soul came to 'Le Ciel', her name sounded like the
one of Saint Patron of Lutetia, she was called Geneviève
de Saint Maur. Her virginal and limpid glance, her fervour
and devotion moved me deeply. One night she asked me to
take part to a moralizing action organized in favour of
the sinful customers of 'L'Enfer'. Naturally, I agreed with
inflamed enthusiasm. As soon as I entered that abominable
place, I understood that Geneviève was nothing but
that vicious and nauseating creature so talked about in
town, the unnameable Madame Bistouri! I pray God to forgive
me, I, Sibelius the Saint, fallen in the flames and abyss
of the hell."
narrated by Sibelius P.,
erudite mind, philosopher, mathematicien, clair-voyant,
ardent believer and inspired musician
|
The
Reverend
(partner of Sibelius P.)
|
|
Sibelius
P. (to the left )
in the Cabaret of Heaven
|
"I am a dandy, a lover of carnal
pleasures, of vices and any kind of luxuries, and I'm proud
of it! Anyway, dignity bores me to death! I am born in Versailles
in a dull wealthy and aristocratic family. In a pair of
lustres I've squandered everything, my dowry, life annuity
and all my family's properties and fortune. I've sold my
forniture and sumptuous abode, as well. I also would have
sold my soul if someone had wanted it! I loved refined garnments,
expensive perfumes, nights and days spent with the most
exquisite courtesans. Now, I sell myself, my virtue,ahah!,
if possible to mature women with considerable liquid assets
who are used to come to 'L'Enfer', where I practise. But,
alas, money is never enough and I'm forced to dig graves
and sell corpses of executed men, murderers and poor wretched
who committed suicide in the Seine to medical students who
need to do their training. One night, Madame Bistouri (yes,
she introduced herself with her true name) was waiting for
me at the cemetery of Rue Saint Vincent to ask me to work
for her (who knows, maybe she would have liked working at
the morgue to dissect the many moralists of Faubourg Saint
Honoré). Obviously, I promptly accepted and I also
helped her staging 'Paris Spleen' and entrapping, one after
the other, the unaware future interpreters of that peculiar
show. What an exciting thing to put on the decadence and
vices of the inhabitants of this sick and charming town!
The dark side of each of us, that only a few have the courage
to admit and reveal, performed on a stage in front of all
those hypocrites... Maybe we axaggerated, we touched emotions
hidden in the deepest ego, maybe we helped to set those
bodies and souls free, we pushed people towards the sabbat
of vice and excess, maybe we unconsciously evoked whimsical
and evil spirits but that night of January 1906, half an
hour after the beginning of the show, the malestrom started.
A series of strange, violent, ineluctable events followed
one to another. From the very day after everything was hushed
up, passed over in silence, a tick courtain of fog was drawn
over those puzzling happenings, no more trace of the show,
no more trace of us. All of this before today, before this
new spiritistic performance! Tremble, you all, CircuZ KumP
are back! Ladies and Gentlemen, Signori e Signore, Mesdames
et Messieurs, bienvenus à L'Enfer!"
declaration of Rêverie
de Bal D. Rak, impoverished nobleman, broke dandy, young
mercenary seducer and lady-killer, impenitent leacher, depraved
cynic, grave digger and talented musician
|
Rêverie
de Bal D. Rak
at the age of six
in Versailles
|
|
Rêverie
(the man with the top hat)
in front of the Cabaret of Hell
|
|
Fronts
of the Heaven and Hell
|
|
Cabaret
of Hell (inside, with the public)
before the unique representation of Paris Spleen
|
|
The
Montmartre cemetery
where Bal D. Rak met for the
first time Madame Bistouri
|
.
Madame Bistouri, alias Geneviève
de Saint Maur, Fosca Scarlatti, Cécile Dubois, Bianca
Pergolesi or the Grim-Reaper didn't want to make any declaration.
.
Follows...
PARIS SPLEEN
The Alive and the Dead Folksy Horror Music Show
