After a joint performance at the church of
St. Michele in Rovigo, Italy Ataraxia and Autunna
et sa Rose agreed to release a double CD featuring
all acoustic songs performed by each band. With
the assistance of Equilibrium Music, this task
has come to fruition in the form of La Via Verso
Il Cielo.
Neoclassical
Artist: Ataraxia / Autunna et sa Rose
Title: La Via Verso Il Cielo (Lmtd. 2000 Copies)
Label: Equilibrium Music
Genre: Neoclassical
Resource Links:
Ataraxia
Equilibrium Music
Equilibrium Music is a Portuguese based music
label dedicated to producing artists working
within the Darkwave, Neo-Classical, Medieval,
Dark Folk, Ambient music and related genres
in Portugal. To date their efforts have produced
a number of stunning and memorable albums including
Dwelling – Humana and Vittorio Vandelli - A
Day of Warm Rain in Heaven. Equilibrium Music’s
latest venture involves the participation of
the very well known Italian artists Ataraxia
and the lesser-known talent of Autunna et sa
Rose. After a joint performance at the church
of St. Michele in Rovigo, Italy Ataraxia and
Autunna et sa Rose agreed to release a double
CD featuring all acoustic songs performed by
each band. With the assistance of Equilibrium
Music, this task has come to fruition in the
form of La Via Verso Il Cielo.
La Via Verso Il Cielo is a two CD collection
of all acoustic song performed by Ataraxia and
Autunna et sa Roe and recorded especially for
this release. This unique limited edition release
comes packaged in a CD digipack and includes
booklets that feature liner notes, exclusive
photographs, and complete lyrics for both albums.
La Via Verso Il Cielo features a complete CD
dedicated to each artists music. Ataraxia who
many have become familiar with over the past
several years as fundamental members of the
neoclassical music genre, are featured on the
CD titled “Strange Lights.” For this all-acoustic
performance, the lineup of Ataraxia included
members Francesco Nicoli, Vittorio Vandelli,
Giovanni Pagliari, and Ricardo Spaggiari. What
sets this CD apart from Ataraxia’s other highly
exalted accomplishments is the bands exclusive
use of acoustic instrumentation. Though classical
instrumentation is a common factor in most of
Ataraxia’s music this is the first time we have
been treated to an all-acoustic rendition of
their work. To realize this feat Ataraxia paired
down their music instrumentation to flute, classical
guitar, piano, ocean drum, tar, timpani, bells,
wind and key chimes, and rattles. For those
familiar with the rich and multilayered sound
of Ataraxia’s studio album’s this sparse instrumentation
may appear as striking.
What makes this release stand out is the amazing
music Ataraxia was able to reproduce using such
paired down instrumentation. Though the songs
that we are familiar with are reduced to lesser
instrumentation, the richness of Ataraxia’s
music is exalted when rendered acoustically.
Rather than losing something in translation
the music of Ataraxia unfolds and flows as if
it where written to be heard in this natural
form. Most of the compositions are led by voice,
piano, and guitar while being accented by flute
and percussion. The delicate the refined nature
of each composition flourishes within this new
format.
“Strange Lights” has definitely opened the
doors to Ataraxia exploring a new style of composition
and I would be truly delighted to see the band
pursue an entire studio album aimed at further
exploring the acoustic side of their art. Songs
on “Strange Lights” include material that spans
the bands entire career as well as a handful
of songs taken from highly exclusive releases
that have now been deleted from publication
as well as a couple of exclusive songs that
are previously unreleased.
The second CD in the La Via Verso Il Cielo
collection is titled “Logos.” “Logos” features
an all acoustic concert recorded at St. Michele’s
Church in Rovigo, Italy on the 31 st of May
2003 by Autunna et sa Rose. Though Autunna et
sa Rose has not yet attained the exalted status
amidst neoclassical music lovers as has Ataraxia
their music is just as deserving of our attention.
Autunna et sa Rose veers from the path taken
by Ataraxia as they explore a more traditional
form of neoclassical music. The music on “Logos”
is best described as a combination of classical
music infused with a dose of experimentation.
The compositions performed for this CD are rooted
in classical sensibilities and are a definite
detour from the more flowing and romantic nature
of Ataraxia’s music. Autunna et sa Rose feature
eleven song composed predominately around piano
and cello and lead in part by soprano vocals.
The result is complex songs lead by operatic
vocals. Each composition is a unique and compelling
listening experience as the listener is treated
to a very high level of compositional skill
and flawless rendering of each song. The piano
and cello work seamlessly together weaving songs
filled with emotion and confidence. The instrumentation
though basic at first glance is utilized to
create dense songs that delve deeply into classical
music and bring forth a stunningly intricate
platform for the female soprano vocalist. The
vocals are as complex and beautiful as the music.
The Soprano vocalists is identifiably classically
trained and the vocal performance reflects the
refinement and maturity of the accompanying
music. Autunna et sa Rose is a perfect match
and counterpoint to the more lush and romantic
offerings of Ataraxia.
La Via Verso Il Cielo is a very mature and
spellbinding release that brings a new level
of expectation to the neoclassical music genre.
Ataraxia’s abandonment of electronic instrumentation
and their embracing of classical acoustic instrumentation
has illustrated a refined side of the band that
many will find very endearing and authentic.
Those who are drawn to neoclassical music are
sure to find Autunna et sa Rose to be a fine
introduction to the more complex and theoretical
aspects of traditional classical music. This
release is truly a special treat that will be
coveted by neoclassical music fans and I highly
recommend you secure your copy so that you can
rest assured that you have not missed one of
the most monumental occurrences in the neoclassical
music genre.
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