Ataraxia & Autunna et sa Rose - Odos Eis Ouranon - La Via Verso il Cielo
Equilibrium Music - 2005
CD I: Ataraxia - Strange Lights:
1. Strange Lights
2. Shelmerdine
3. Bonthrop
4. Tu es la Force du Silence
5. Ophélie
6. Faust in una sala maledetta
7. Seas of the Moon
8. Les Tisseuses Lunaires
9. Veules Les Roses
10. Fuga Trionfale
11. Oduarpa
12. Medusa
CD II: Autunna et sa Rose - Logos:
1. L'Art et la Mort
2. Caresses aux Coeurs
3. Gentiane Percluse
4. La Morte di Virginia
5. Slow Rain
6. Rose Jaune de Novembre
7. Verganglichkeit
8. Landschaft der Vergangenheit
9. Canzona
10. Egypt
11. Temps Fumé

Although I’ve only known about Italy’s Ataraxia since 2003, I have really enjoyed the albums I’ve heard from them (Sueños, The Moon Sang On The April Chair, and Saphir). So when this new Split album with fellow Italians Autunna et sa Rose showed up in my mailbox I was more than happy. I feel a little embarrassed though since I’ve never heard the music of Autunna et sa Rose before, and heck up till now I never even knew there name.

‘Odos Eis Ouranon - La Via Verso il Cielo’ is a special album because it features the best songs from both bands performed in an acoustic manner. Ataraxia’s song were recorded at St. Ruffino’s in February 2005, while Autunna et sa Rose’s performance was recorded live at St. Michele’s Church in Rovigno Italy in May of 2003.

I really appreciate Ataraxia’s songs on this double album because they sound a bit different than their normal studio work. As you may know normally Ataraxia sounds more medieval, renaissance, folky sounding, but here they tend to sound more neo classical than anything else. They use instruments like flute, piano, classical guitar, timpani & other percussion instruments and when combined with Francesca’s always outstanding operatic vocals you just know you’re in for a real treat. The highlights for me are ‘Strange Lights’ a new yet unreleased song, ‘Bonthrop’ from the ‘Orlando’ album, the very beautiful medieval ballad ‘Ophélie’ from the ‘La Mulediction d’Ordine’ album, as well as others like ‘Seas of the Moon,’ ‘Veules Les Roses,’ and ‘Medusa.’ So as you can see I’m quite impressed. Not to forget the songs are also recorded excellently, the musicianship is marvelous, and it’s always a pleasure to hear Francesca’s magnificently soaring and powerful voice.

On to the second CD then with Autunna et sa Rose. Autunna perform as a three piece in what would seem like a more stripped down performance since they use just a cello and piano for the music and Sonia Visentin’s soprano vocals, and Disorder’s male vocals. Most of the songs on this recording are largely instrumental, and even when Sonia is singing she’s not always singing any actual words. Disorder’s vocals are either performed in a spoken narration like manner or he’s singing with more of a bassy operatic voice. Autunna et sa Rose’s compositions are certainly effective, yet since its just two instruments providing the music you can’t help but desire one or more additionally instruments. The song that stands out the most for me is ‘Canzona,’ which honestly reminds me of Ataraxia. A pretty decent concert and the audience cheers seem to indicate they had a good time at this show. I’ll most likely explore this band further since I’m curious about their studio work.

Overall ‘Odos Eis Ouranon - La Via Verso il Cielo’ is a pleasant split release between these two bands, and it comes as a double CD digipak, complete with booklets that have linear notes, lyrics, artwork, and photos. Thus if your in the mood for some Italian neo classical then you can definitely hope to add this to your collection.

July 13, 2005
By JJM
7.5 of 10